Xiaowen Zhu, The Details Are Invented, 2017, film still

Xiaowen Zhu, The Details Are Invented

Gauld Architecture
110 Foundling Court, Marchmont Street (Entrance 3)
Event time
Fri–Sat 12–6 or by appt.
14 Jul 2017 - 13 Aug 2017
Next event: 27 Jul 2017
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Passen-gers, a site-specific exhibition series within the Brunswick Centre, is pleased to present The Details Are Invented by Xiaowen Zhu, a multi-channel film that poetically explores the site and its architecture.

‘Our house is our corner of the world.’ —Gaston Bachelard, The Poetics of Space

Inspired by French philosopher Gaston Bachelard’s The Poetics of Space, artist Xiaowen Zhu presents a new moving image work, The Details Are Invented. This multi-channel film is a poetic probing of the space of the Brunswick Centre, an iconic modernist, residential and commercial complex in Central London with a parallel observation of Hackney Wick and Stratford – areas of rapid gentrification in East London. 

Exploring these places by following the character of a flâneur – a ‘foreigner’ who strolls the city like a walking camera, Zhu seamlessly connects public and private space, collected texts and marketing language, personal narrative and critical reflection. At a time during the ongoing housing crisis and urban regeneration that is primarily focused on business and profits, Zhu combines these elements to share thoughts on how an individual – native or international – can make his or her home in ‘a city that’s always on the go, always in the middle of becoming something else’. [1]

Mixing documentary, essay film and video installation, The Details Are Invented is driven by poignant and urgent questions as well as a much wider and versatile quest: How can we learn from history and avoid making the same mistakes again and again? She subtly presents this angle by comparing Franz Hessel’s concerns about urban development in Berlin during the late 1920s with the similar pattern that emerged in 1980s London. Interview footage of an architect and resident of the Brunswick Centre reflects on the consequences of profit-driven urban regeneration. 

1. Franz Hessel, Walking in Berlin 

Xiaowen Zhu is an artist, filmmaker and writer. Described as a visual poet, social critic, and aesthetic researcher, she uses film, photography, performance, installation and mixed media as platforms to communicate the complex experience of being a diasporic person and to wrestle with the notion of a disembodied identity. Born and raised in Shanghai, Zhu is currently based in London. She has received numerous awards, including TASML Artist Residency Award, Marylyn Ginsburg Klaus Fellowship, Jury Award of DOK Munich, Jury Award of Mexico International Documentary Film Festival, among others. Her work has been widely shown internationally, including Whitechapel Gallery (London, UK), Whitstable Biennale (Whitstable, UK), Central Academy of Fine Arts Museum (Beijing China), Chronus Art Center (Shanghai, China), Art Basel (Hongkong, China), ZKM | Center for Art and Media (Karlsruhe, Germany), V2_Institute for the Unstable Media (Rotterdam, the Netherlands), ISEA2011 (Istanbul, Turkey), Dumbo Arts Center (New York, USA), Videonale (Berlin, Germany), Museum of Contemporary Photography (Chicago, USA), Los Angeles Art Association (Los Angeles, USA), Venice Arts Gallery (Los Angeles, USA), Strozzina Art Space (Florence, Italy) and more. www.zhuxiaowen.com

Xiaowen Zhu was selected as the sixth artist in the Passen-gers series through our open call. The panel was drawn to her work for its potential to to engage with the people and place of the Brunswick Centre, drawing on its social, material and historical contexts with contemporary relevance.